As Costanza in L'isola disabitata by J. Haydn
Teatro Barocco in Baden
March 2018
„Megan Kahts is fast becoming Teatro Barocco’s fixed star. She embodies the stylised baroque gesture with perfect grace and shapes the role of Costanza with a warm and dark coloured soprano.”
28 March 2018
Kurier Zeitung, Vienna
„Excellent the South African Megan Kahts as Costanza – she was the star of the big baroque performances in Stift Altenburg […] with fine expression and feeling for atmosphere.”
24 March 2018
Kronenzeitung, Vienna
As Despina in Cosi fan Tutte by W.A. Mozart
Teatro Barocco in the Schlosstheater Laxenburg
March 2017
“The ensemble is very homogenic, yet the interpreter of Despina – the South African Megan Kahts – stands out especially. She scores equally in her own arias and in the scenes where she is disguised as the Doctor and the Notary. With erotic charm and vocal sovereignty, she plays the key role in this joyously-profound piece about love, jealousy and partner-swapping.”
12 March 2017
Der Neue Merker (Online)
„Megan Kahts lends her flexible, warm soprano, as well as her unbelievable choreographic agility, to the role of his accomplice, Despina; she even serves small obscenities with charm and grace.”
11 March 2017
Kurier Zeitung, Vienna
„the ravishing Megan Kahts as cheeky, capricious Despina“
11 March 2017
Die Kronenzeitung, Vienna
“Vivacious: Megan Kahts
Above all, Megan Kahts, with her theatre-temperament as Despina, and also with her nasal-quacking interpretation of the miracle healer (by the example of the Viennese doctor and magnetizer Franz Anton Mesmer) and of the notary, contributed to the infectious comedy of the evening.”
10 March 2017
Die Presse, Vienna
As Timaea in Pallas Athene weint by E. Krenek
Neue Oper Wien in Halle E, Museumsquartier Wien
October 2016
“… the driven Timaea (straight to the heart: Megan Kahts)”
26 October 2016
Die Wiener Zeitung
„...his wife Timaea (thrilling Megan Kahts)“
27. Oktober 2016
Der Standard
„... while Megan Kahts colours the attractive Queen of Sparta, searching for human contact, with warm tones"
27. October 2016
Kurier Zeitung Wien
As Tisbe in Piramo e Tisbe by J.A. Hasse
Teatro Barocco in Stift Altenburg
Juni-Juli 2016
"Megan Kahts (Tisbe) unfolds her warm streaming soprano with blooming high notes."
27 June 2016
Kurier, Vienna
"The tragic role of Tisbe, protrayed by the South African soprano Megan Kahts, is both vocally as well as dramatically acted impressionably and sung with strong expression."
9 July 2016
Online Merker, Vienna
As Susanna in “Le Nozze di Figaro” by Mozart
Teatro Barocco in Schloss Laxenburg
February 2016
"Megan Kahts gives life to the role of Susanna, not only musically, but as the evening progresses, she mixes in a darker timbre over all registers – moving and seducing.“
19. Februar 2016
Wiener Zeitung
"A wonderful Susanna is the South African soprano Megan Kahts; picture-pretty with a voice filled with the fragrance of roses, heartfelt and yet full of passion.”
21. Februar 2016
Der Neue Merker
As Ossipowna in „The Nose“ by Shostakovich
Neue Oper Wien in the Vienna Kammeroper
October 2015
"Optically and vocally provocative as the already mentioned blonde woman and equally so in other roles, is the South African soprano Megan Kahts."
23 Oktober 2015
Radio Klassik Stephansdom (podcast),Österreich
"Amidst all the stage action, the wife of the barber, Megan Kahts, catapults herself upward."
29 Oktober 2015
Falter Zeitung Wien, Österreich
As Gretel in „Hänsel und Gretel“ by Humperdinck
Opernakademie Bad Orb
August 2013
“Megan Kahts as vivacious Gretel with a mellifluous, slender soprano”
17 August 2013
Fuldaer Zeitung
“…for the Gretel of Megan Kahts, whose radiant soprano, with its secure high notes, also highlighted the intricate facets of the role.”
17 August 2013
Maintal/Main-Kinzig-Kreis
“Megan Kahts‘ soprano glows with her expression throughout, with which she shapes the role full of emphasis, warmth and flair”
19 August 2013
Gelnhäuser Tageblatt
“Soprano Megan Kahts enchanted us as the girly and playful Gretel, who full of zeal, animates her brother to dance with her, and who gives expression to Gretel’s doubt in the forest with a strong voice, which penetrated even the full orchestral sound.”
17 August 2013
Hanauer Anzeige
As Norina in Don Pasquale
Salon Music in the ZK Matthews Hall of UNISA
May 2008
"Megan Kahts as Norina is vocally ideal. She sings the arias with ease and glitters with clear projection in the ensembles."
Newspaper: Beeld,
23 May 2008